Category: Music Therapy, Bottom up Approach

Going Through to the Other Side

Most all the time the clients that come to my studio are excited to come, smiling as they enter, and often run down the hallway to the Music Therapy room. I like the facilitation of development to occur naturally, unstressed, and to flow ahead. However, there are times whens smiling, excited faces don’t happen, when… Read more »

Validating Through Music – Part 3

Sometimes part of the process of helping a child progress is validating that they are okay right where they are presently, even though where they are may be seen by statistics, norms, or by others as below the bar.  Sometimes a child that hugs the safety of the known needs a little nudging.  Other times,… Read more »

Validating Through Music: Part 2

Last week’s example of validating through music is vastly different from this week’s. Last week, validation was done at a sensory level, where that child is presently. This week’s examples are initially made at verbal, cognitive, and emotional levels, backed up and made more alive through music. In working with a group of performing teens,… Read more »

3 Part Series: Validating a Child through Music

I recently read an article by Southeast Psych entitled “Verbally Validate to Help Kids Manage Their Emotions” (http://blog.southeastpsych.com/?p=5001) which made me think, “Wow, We do that on a regular basis at a very deep level, which goes beyond words in music.” If one were to make a generalized slice through the brain, and generalized it… Read more »

The Grumpy Guitar

This is a true story. As I discussed this situation, I thought immediately that I should be writing this down. I have a young adult client named TJ. I also have an old guitar in my studio. I’m not exactly sure where it came from, probably a relative whose attic needed cleaning. I took the… Read more »

Processing – The Space Between the Notes

Unfortunately, without machines there is no scientific way of measuring processing, at least not that I  know of. We have to use our own human observance skills and become familiar with the signs. It is most definitely the space between the notes; unseen, unheard movement forward. It is a little bit like when you know… Read more »